Select the Sample Color tool… …and drag out a rectangle to key out the background color. Tip: If you are having trouble at the edges of the frame, use the Mask effect to mask out them out. If necessary, you can add more boxes to remove more of the background. As soon as you draw the box, all the colors inside that box are removed. Start by clicking the Sample Color icon then, in the Viewer, drag out a rectangle over the green background. If the background is unevenly lit, choose an area close to the subject, ideally close to difficult areas to key, such as hair. You accomplish this with the two tools in the Refine Key section of the Inspector: Sample Color and Edges. The next step is to tell Final Cut Pro what color values to remove. Setting the Strength parameter to zero removes all automatic keying. To key manually, the first step is to set the Strength slider to 0. The Strength parameter in the Keyer effect determines how much automatic keying Final Cut Pro uses. If the interior of your subject isn’t solid white, if the background isn’t jet black, or if the edges of your subject don’t look smooth, you can try a manual key. So, the matte for a good key should have a completely black background and a completely white foreground, and it should be gray in semitransparent areas. The Matte view uses shades of gray to indicate what parts of the shot are being removed: The darker the shade of gray, the more that area is cut out of the shot. The Matte view creates a grayscale representation of your key. Even better, click the middle View button in the Inspector-the one with the white head on the black background-to see the matte that the key created. Use the Fit pop-up menu at the top right to zoom in closer and inspect the edge detail. We hope you enjoyed this article, don’t miss out on any of our other blogs! Sign up to Filmstro and follow us on Twitter, Facebook and subscribe to our Youtube channel.To evaluate the automatic key, check the composite image in the Viewer. Once selected, click Command+Option+V and paste this to effects. To do this simply press Cmd+C, then select the clip on the timeline that you wish to add effects to. Once you have made the corrections, you canĭon’t forget to save these colour corrections asĪ template as these can prove to be very efficient when developing a base to Taking a step back allows you to reset and see if there are any scenes or parts to the film where you may have over-egged the colour grading and it looks a bit too superficial. Yourself a few hours away from the screen to really evaluate your work and make It’s really healthy to take a step back and give The footage up to the next level, making it stand out and giving it thatĬinematic feel you’ve been looking for. You can create real contrasting colours that pull In this part of the colour grading process, we utilise colour masks, colour wheels and the other intricate colour grading tools to add depth and isolate specific colours you wish to flourish in your film. Here is where you get that cinematic feel and look. This isįinalising the tweaks and changes you’ve made whilst colour correcting theįootage. Good quality footage is the anchor to this method. This is so in post-production you can work at bringing the colour to life and changing the exposure, temperature and other components to achieve that cinematic look. This first point is actually nothing to do with Final Cut Pro X but it is essential to ensure you are able to colour your footage to the highest possible level.īefore anything is done in post-production, you must ensure that the footage you’ve shot is as clear and of the highest quality, you could possibly reach. Let’s have a look at how you can colour grade with Final Cut Pro X to the highest level. In this article, we will look at the best methods to ensure you are colour grading your footage to its full potential. Now you're able to edit with the most intricate colour grading tools to add something extra to your footage. With the new and improved colour correction tools, Final Cut Pro X has really impressed us over the years. When editing your footage using Final Cut Pro X, it’s always nice to colour grade it to the highest level, in order to really get the most out of your edit and give it that cinematic finish it deserves.
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